I’ve been listening to Jonathan Hultén a lot lately, and had to share. Think Neo-Folk meets Dark Country meets 2000s pop meets a production of Cabaret at a drag club in a shabby and slightly dangerous part of the city. This was the song that introduced me to Hultén, and it remains one of my favorites. Where Devils Weep is pretty good too. Not going to share my favorite favorite; you’ll have to find that on your own.