Read something interesting this morning by Anthony Comegna:
In 1627, Thomas Morton and the residents, friends, and allies of Merrymount gathered together for a celebration of life and leisure. The settlement was a bustling little burgh, pleasantly situated on the fringes of Puritan Massachusetts Bay. Having prior felled one of New England’s many mighty pines, the revelers marked their New World holy day by building a grand Maypole. In a very conscious imitation of the ancient, pagan world, the crowd decked their construction in garlands and intertwined ribbons, topping the whole with a formidable set of antlers. Morton constructed what historian Peter Linebaugh claims were “the first lyric verses penned in America,” and he nailed the infamous (and excerpted) “Bacchanalian song” to the Maypole itself, in proud defiance of the Puritan norms prevailing elsewhere in Massachusetts.
In Merrymount, Native Americans and English lived alongside one another peacefully, they traded, they enjoyed mutual and consensual romantic and sexual relationships, and they intermixed philosophies and perspectives in convivial atmospheres like the Mayday festival. The Puritans viewed all of the above with nothing short of horror and contempt. Where the Merrymounters saw Natives as brothers and sisters, the Puritans saw Satan’s minions inhabiting the darkest corners of their New Israel. They called the Maypole “an Idoll,” and the free settlement “Mount Dagon.” As Linebaugh notes, in its short life, Merrymount had become “a refuge for Indians, the discontented, gay people, runaway servants, and what [Governor Bradford] called ‘all the scume of the countrie.’” Convinced that the free settlers and Mayday revelers were devils in human skins, Miles Standish and a Puritan contingent destroyed the settlement with fire, and the Maypole got the axe.
Bolded for emphasis.
That’s right. What may have been the first lyric verses penned in America were in honor of Dionysos!
That makes my heart all warm and tingly.
You can find more, including excerpts from Morton’s New English Canaan, here.