Author: thehouseofvines

Soul Healing I

Strength II

The Retinue

Purification III

Protection II

Petition I

Opening the Day

New Bacchants

Lineage I

Clergy I

Dionysians Everywhere

Benediction I

Palingenesis

Who is he?


The most recent project I’ve been working on has been a thorough collection of titles and bynames of Dionysos for the Starry Bull tradition. Most sites give the same 12-30 epithets, clearly borrowed from the same couple of sources. Even the list I provided on the Bakcheion was embarrassingly partial and hadn’t been updated in years — so I decided to remedy that. Starting with mine as the base (along with a handful of epithets I’ve been discussing on the blog) I then added stuff I didn’t have from Theoi, YSEE, HellenicGods, as well as a couple lists compiled by scholars. Then I consulted material on Perseus, Kernos, JSTOR, and Academia.edu, looked into the epigraphic corpora, several Byzantine lexicographers, Dionysios, Nonnos, the Greek Anthology, the LSJ, Farnell, the Orphica, the PGM, the Tragic and Comic Fragments and other sources folks don’t normally consider when doing this kind of research. 

Here is the Starry Bull collection of titles and bynames of Dionysos which clocks in at around 44 pages — yes, pages. I’ll be adding to it, and fixing some formatting glitches as I’m able, but it was time to move on to the next phase of the project.

Nazis and Illyrians, oh my! 

Since this is still a contentious issue, apparently, I wanted to announce that I will no longer be using the Sonnenrad Heinrich Himmler designed for Wewelsburg castle to represent the nyktelios experience. It was never about the symbol but what it represented. I only used it because that’s how it initially presented, I liked the labyrinthian effect and the inclusion of Sowilō, one of my favorite Runes (after Úruz, Dagaz, Thurisaz, and Berkana; it’s so hard to choose!) — plus, none of the Old German Sun Wheels had the same resonance. While I disagreed with the politics of its creator and the idiocy of many who use the symbol today, I didn’t really feel I had much of a choice since I draw for shit and the artist I used to work with turned out to be a complete slimeball. I understood I was risking pissing a bunch of folks off, but felt the mysteries coming through were more important. I regret the pain, confusion, etc. that this decision has caused. 

But happily while researching the Illyrians and specifically the branch which came to be known as the Iapygians who inhabited that portion of Apulia where Taras/Tarentum and Lecce would one day come to be founded I discovered some pretty fucking cool alternatives. What’s particularly interesting is that a number of these are symbols we’ve already been using in the tradition, a couple of which I even have tattooed on my body — and the fact that these originated in one of the most sacred locales in our tradition is just honey-glaze on the libum. Here’s a Wikipedia, which gives you a sense of what I’m talking about without showing the actual symbol I’m considering adapting.

venit ab Eurydice

Orpheus suffers a lot of deaths. Not as many as Dionysos by a long shot, but it’s still a lot. I discussed some of the more important deaths here, but I just came across one I’d never read about before and it’s hugely significant. 

Marci Valerii Martialis, De Spectaculis Liber 21a
quidquid in Orpheo Rhodope spectasse theatro dicitur, exhibuit, Caesar, harena tibi. repserunt scopuli mirandaque silva cucurrit, quale fuisse nemus creditur Hesperidum. affuit immixtum pecori genus omne ferarum et supra vatem multa pependit avis, ipse sed ingrato iacuit laceratus ab urso. haec tantum, haec res est facta ita, ficta prior.

Martial, On the Spectacles 21a
Everything which is said to have been seen on the stage of Orpheus in Thrace, the scene is presented to you, oh Caesar: Rocks crawled, a wonderful forest ran, such as the forest of the Hesperides is thought to have been. Every race of wild beasts were present, intermingled with the domestic, and many a bird was suspended above the poet, but he himself lie dead, torn to pieces by a disagreeable bear. Only this event is fabricated in such a way, from how it was originally composed.

Ibid 21b:
Orphea quod subito tellus emisit hiatu, versa miramur? — venit ab Eurydice.

Somehow the earth suddenly opened and sent forth a bear, crushing Orpheus; it came from Eurydice.

Mother is the name for God on the lips and hearts of all children

Numerous allusions in both sources favorable to him (like Plato) and those that are hostile (like Aristophanes) make it clear that Sokrates did not have just a casual interest in Bacchic Orphism. He was an initiate, and quite possibly a practitioner i.e. one of those Orpheotelestai his star pupil was so quick to lambast (despite Plato likely being an initiate himself.) Among those who helped shape the mind of Sokrates the two likeliest candidates for introducing him to (and possibly initiating him into) Orphism are Diotima (note that Protogonos is also called Eros; also consider that there were many female Orpheotelestai and Sokrates really liked women, enough to marry them two at a time) or Aglaophamos who was part of the “golden chain” including Pythagoras, Orpheus and Hermes. (A third possibility, of course, is Euthyphro though with the age difference and personality clash I just don’t think he’s a likely candidate. It is interesting that Sokrates meets him in that dialogue at the Courtyard, where Euthyphro was waiting to bring his father up on charges of murder considering the subject matter of so much Orphic myth.) And then, thinking about the Orphic hexameters from Sinai it hit me — where is one’s deepest religious convictions formed? At the knee of the mother (or nurse.) And anyone recall what the mother of Sokrates was named? Phainaréte. Which is formed by joining ἀρετή (“excellence, virtue”) with φαίνω (“to shine, to bring forth into the light”) from which we get Φάνης, the primary Orphic divinity (at least in the 24 Rhapsodies.)

I described their terrible shafts

Something I forgot to mention in the last post: there are intriguing reminiscences between the Orphic hexameters from Sinai and the Proem of the Orphic Argonautika — which are not to be found in the Sacred Discourses in 24 Rhapsodies. (As well as some that are.)

When driven by the goad of Kings Bakchos and Apollon, I described their terrible shafts, and likewise I disclosed the cure for feeble mortal bodies and the Great Rites to initiates. Truly, above all I disclosed the stern inevitability of ancient Chaos, and Time, who in his boundless coils, produced Aether, and the twofold, beautiful, and noble Eros, whom the younger men call Phanes, celebrated parent of eternal Night, because he himself first manifested. Then, I sang of the race of powerful Brimo, and the destructive acts of the Giants, who spilled their gloomy seed from the Sky begetting the men of old, whence came forth mortal stock, which resides throughout the boundless world. And I sang of the service of Zeus, and of the cult of the Mother and how wandering in the Cybelean mountains she conceived the girl Persephone by the unconquerable son of Kronos, and of the renowned tearing of Kasmilos by Herakles, and of the sacred oath of Idaios, and of the immense oak of the Korybantes, and of the wanderings of Demeter, her great sorrow for Persephone, and her lawgiving. And also I sang of the splendid gift of the Kabeiroi, and the silent oracles of Night about Lord Bakchos, and of the sea of Samothrace and of Cyprus, and of the love of Aphrodite for Adonis. And I sang of the rites of Praxidike and the mountain nights of Athela, and of the lamentations of Egypt, and of the holy offerings to Osiris. And also I taught the multitudinous ways prophesying: from the motion of wild birds and from the positions of entrails; how to receive the prophetic dreams that pierce the mind in sleep, and the interpretation of signs and omens and what the motion of the stars means. I taught atonement that brings great happiness for mortals; and how to supplicate the Gods and give offerings to the dead. And I described that which I gained by sight and thought when on the dark way of entering Haides via Taenaron, relying on my cithara, through the love of my wife. And I described the sacred test of the Egyptians in Memphis that is used to convey prophesy, and the sacred city of Apis, which is surrounded by the river Nile.

In fact it also has resonances with one of the other Gold Tablets from Thurii, given here in two translations:

trans. 1
To the First-Born, to Mother Earth, to Cybela, daughter of Demeter.
Zeus, Air, Sun. Fire conquers all.
Avatars of fortune and Phanes. Moirai that remember all. You, O illustrious daimon.
Father who subdues all. Compensation.
Air, fire, Mother, Nestis, night, day,
Fasting for seven days. Zeus who sees all. Always. Mother, hear my prayer.
Fine sacrifices. Sacrifices. Demeter. Fire. Zeus. The Underground Girl.
Hero. Light to the intelligence. The Adviser seized the Girl.
Earth. Air. To the intelligence.

trans. 2
To Earth, first-born Mother, Cybelean Kore said: … [lacuna] …
… of Demeter … all-seeing Zeus.
O Sun, Fire, you went through all towns, when you appeared with the Victories and Fortunes and All-wise Fate, where you increase the brightness of the festival with your lordship, O glorious deity! By you all things are subdued, all things overpowered, all things smitten! The Decrees of Fate must everywhere be endured. O Fire, lead me to the Mother, if the fast can endure, to fast for seven nights and days! For there was a seven-day fast, O Olympian Zeus and all-seeing Sun …