Author: thehouseofvines

All hail the Bull of the West!

Wine Blessings

Soul Healing I

Strength II

The Retinue

Purification III

Protection II

Petition I

Opening the Day

New Bacchants

Lineage I

Clergy I

Dionysians Everywhere

Benediction I

Palingenesis

Who is he?


The most recent project I’ve been working on has been a thorough collection of titles and bynames of Dionysos for the Starry Bull tradition. Most sites give the same 12-30 epithets, clearly borrowed from the same couple of sources. Even the list I provided on the Bakcheion was embarrassingly partial and hadn’t been updated in years — so I decided to remedy that. Starting with mine as the base (along with a handful of epithets I’ve been discussing on the blog) I then added stuff I didn’t have from Theoi, YSEE, HellenicGods, as well as a couple lists compiled by scholars. Then I consulted material on Perseus, Kernos, JSTOR, and Academia.edu, looked into the epigraphic corpora, several Byzantine lexicographers, Dionysios, Nonnos, the Greek Anthology, the LSJ, Farnell, the Orphica, the PGM, the Tragic and Comic Fragments and other sources folks don’t normally consider when doing this kind of research. 

Here is the Starry Bull collection of titles and bynames of Dionysos which clocks in at around 44 pages — yes, pages. I’ll be adding to it, and fixing some formatting glitches as I’m able, but it was time to move on to the next phase of the project.

Nazis and Illyrians, oh my! 

Since this is still a contentious issue, apparently, I wanted to announce that I will no longer be using the Sonnenrad Heinrich Himmler designed for Wewelsburg castle to represent the nyktelios experience. It was never about the symbol but what it represented. I only used it because that’s how it initially presented, I liked the labyrinthian effect and the inclusion of Sowilō, one of my favorite Runes (after Úruz, Dagaz, Thurisaz, and Berkana; it’s so hard to choose!) — plus, none of the Old German Sun Wheels had the same resonance. While I disagreed with the politics of its creator and the idiocy of many who use the symbol today, I didn’t really feel I had much of a choice since I draw for shit and the artist I used to work with turned out to be a complete slimeball. I understood I was risking pissing a bunch of folks off, but felt the mysteries coming through were more important. I regret the pain, confusion, etc. that this decision has caused. 

But happily while researching the Illyrians and specifically the branch which came to be known as the Iapygians who inhabited that portion of Apulia where Taras/Tarentum and Lecce would one day come to be founded I discovered some pretty fucking cool alternatives. What’s particularly interesting is that a number of these are symbols we’ve already been using in the tradition, a couple of which I even have tattooed on my body — and the fact that these originated in one of the most sacred locales in our tradition is just honey-glaze on the libum. Here’s a Wikipedia, which gives you a sense of what I’m talking about without showing the actual symbol I’m considering adapting.

venit ab Eurydice

Orpheus suffers a lot of deaths. Not as many as Dionysos by a long shot, but it’s still a lot. I discussed some of the more important deaths here, but I just came across one I’d never read about before and it’s hugely significant. 

Marci Valerii Martialis, De Spectaculis Liber 21a
quidquid in Orpheo Rhodope spectasse theatro dicitur, exhibuit, Caesar, harena tibi. repserunt scopuli mirandaque silva cucurrit, quale fuisse nemus creditur Hesperidum. affuit immixtum pecori genus omne ferarum et supra vatem multa pependit avis, ipse sed ingrato iacuit laceratus ab urso. haec tantum, haec res est facta ita, ficta prior.

Martial, On the Spectacles 21a
Everything which is said to have been seen on the stage of Orpheus in Thrace, the scene is presented to you, oh Caesar: Rocks crawled, a wonderful forest ran, such as the forest of the Hesperides is thought to have been. Every race of wild beasts were present, intermingled with the domestic, and many a bird was suspended above the poet, but he himself lie dead, torn to pieces by a disagreeable bear. Only this event is fabricated in such a way, from how it was originally composed.

Ibid 21b:
Orphea quod subito tellus emisit hiatu, versa miramur? — venit ab Eurydice.

Somehow the earth suddenly opened and sent forth a bear, crushing Orpheus; it came from Eurydice.